Today in the business world, we have some exciting news to share. Three companies have made significant announcements that will impact the 3D printing industry. Let’s dive in!
First up, nano3Dprint has revealed its latest strategic distribution partnership in Asia. The company has partnered with Collimage International Co., Ltd., based in Taiwan, to distribute two of its solutions – the A2200 3D Multi-material Electronics Printer and the B3300 Dual-Dispensing 3D Printer. These printers allow users to easily and quickly invent, design, test, and research fully-realized electronic devices with integration of micro- to nanoscale materials. Collimage International has already sold several of these printers to National Taiwan University, where they will be used by undergraduate students for designing and printing metallic electrode patterns for self-powered solar devices. With this new partnership, nano3Dprint hopes to reach a broader audience in Taiwan and create a new market for its products.
Next, Meltio, a leading manufacturer of wire-laser metal 3D printing, has announced its newest sales partner, Snowbird Technologies. Meltio’s printheads will be offered as a standard component on Snowbird’s patented Additive Mobile Manufacturing Technology platform. This platform operates inside a deployable shipping container and is used for producing large-format metal parts on-demand for equipment repairs. Snowbird Technologies will also be authorized to sell the Meltio Engine Robot worldwide. This partnership is expected to boost integration of wire-laser metal 3D printing in various industries in the United States.
Lastly, EOS North America has launched its AMTurnkey Service, a consulting program designed to help companies adopt industrial 3D printing. The program is led by EOS experts who handle project planning, material qualification, machine operation, training, and project handover. This low-risk solution is ideal for companies interested in 3D printing but unsure of where to start. The program is tailored to each company’s specific goals and includes extensive project consultation and mapping, customized engagement, and complete team training.
In other news, WASP, a company known for its clay 3D printing, has released a new parametric modeling app. The software, called WASP App v0.2, allows users to slice and model clay for 3D printing. This new release is available to the public and aims to set a new standard in the world of clay 3D printing.
To conclude, these announcements highlight the continuous growth and innovation happening in the 3D printing industry. From expanding distribution partnerships to launching new consulting programs and software, companies are making strides to make 3D printing more accessible and advanced. Stay tuned for more updates in the exciting world of 3D printing!
Manipulating parameters such as size, shape, texture, and slicing settings can lead to endless possibilities in clay printing. Thankfully, there is a new app that allows users to easily create their own clay prints without needing extensive experience in 3D modeling and slicing. The WASP APP v0.2 provides users with step-by-step instructions on how to choose a printer, shape their object, add texture, edit slicing settings, and export the g-code. This app is accessible through the web, allowing users to freely experiment with their creativity.
But that’s not all – future updates to the app will bring even more exciting features. One notable addition will be the ability to queue different g-codes in the same file. This will make it effortless to create unique pieces like sets of tiles, vases, and façades. The Delta Wasp 40100 Clay Production System, a digital factory for automated 24/7 printing of customized clay pieces, will especially benefit from this feature.
In the world of 3D printing, bigger is often better. Airwolf 3D, a Las Vegas-based 3D printer manufacturer, understands this and has recently unveiled their new supersized EVO 2X 3D printer. This advanced desktop Additive Manufacturing Center (AMC) boasts nearly double the print volume of its predecessor, the EVO 22. With its 24 x 12 x 22″ build volume, the EVO 2X is capable of fabricating giant, robust prints using industrial-grade materials like Nylon, ABS, Polycarbonate, and more.
The EVO 2X comes equipped with a cartridge-style planetary G-series extruder assembly, a larger orifice standard nozzle for faster printing, and Airwolf 3D’s exclusive energy-efficient Tri-Heat Build Environment. This build environment includes dual chamber heaters and a high-temperature print bed, ensuring maximum part adhesion and increased strength. The printer utilizes Airwolf 3D’s proprietary GENESIS board, a 32-bit, automotive-grade microcontroller that offers precision, speed, and control at high temperatures. And the best part? It can be plugged into a standard household 3-prong outlet, eliminating the need for specialized electrical hookups.
But why settle for large prints when you can go even further? Airwolf 3D takes pride in their ability to manufacture full-scale automotive bodies using 100% ABS with the EVO 2X printer. No other printer in this price range can achieve this feat. Prints can take anywhere from 40 to 120 hours for each plate, demanding equipment that is both strong and reliable. The EVO 2X delivers exceptional print quality, strength, and mechanical properties necessary for functional prototypes and end-use parts.
Meanwhile, in the heart of Genoa, Italy, a celebration of music and technological advancements is taking place. The international Premio Paganini violin competition is commemorating its 70th anniversary by presenting a 3D printed replica of the famous Guarneri del Gesù ‘Il Cannone’ violin. This instrument once belonged to Niccolò Paganini, an influential violin virtuoso and composer. The replica was created using white resin and red nylon strings, representing the competition’s new logo and the colors of the Saint George’s flag. Premio Paganini collaborated with 3DiTALY, using iReal 3D scanners and Formlabs printers, to bring this replica to life. The purpose of this project is to continue Paganini’s legacy and engage young people in the world of music.
Currently, the 3D printed version of the ‘Il Cannone’ violin is being showcased at competition headquarters in Palazzo Doria Carcassi, Genoa. It will be officially presented during the 57th edition of the competition, held from October 16-27. Afterward, the replica will be displayed at various public events, exhibitions, and concerts in Italy and abroad until 2024.
This innovative use of 3D printing technology allows Paganini’s legacy to live on and inspires a new generation of musicians. The 3D “Il Cannone” violin serves as a testament to the potential of new technology and its ability to captivate and educate through unconventional means.
It’s fascinating to witness the advancements in 3D printing technology and the wide range of applications it offers. From clay prints to supersized desktop printers, and even the replication of historic musical instruments, the possibilities seem endless. As more features and updates are introduced to existing technologies, we can only imagine the incredible creations that lie ahead.
Title: Reviving History: Genoa’s Archival Heritage Embraces the Digital Realm
Introduction:
In a monumental step towards preserving and celebrating its rich historical legacy, the Municipality of Genoa has ventured into the digital realm, incorporating the “Cannone” scan and digital model into its archival heritage. This groundbreaking initiative not only demonstrates the city’s commitment to embracing modern technology but also paves the way for the seamless integration of the past and the present. Join us as we delve into the innovative world of 3D printing and explore how this transformative process has gifted us with a newfound appreciation for our history.
Preserving the Past:
Under the visionary leadership of Marco Bucci, the Mayor of Genoa, the municipality has taken a significant leap forward in preserving its historical artifacts. By scanning and creating a digital model of the renowned “Cannone,” Genoa has ensured that future generations will have access to a faithful representation of this iconic piece of history. This technological preservation not only safeguards the cultural heritage but also allows for its wider dissemination, unhindered by the limitations of conventional physical archives.
Embracing the Digital Renaissance:
The incorporation of a digital model within Genoa’s archival heritage reflects a larger trend in society – the acceptance and integration of revolutionary technologies. As we witness the transformative power of 3D printing, it becomes evident that this innovation is more than just a passing fad. By embracing the digital renaissance, Genoa shows us the immense potential of amalgamating technology and heritage, creating a more dynamic and accessible archive.
Unleashing the Power of 3D Printing:
At the heart of this revolutionary movement lies the marvel of 3D printing. This cutting-edge technique allows us to recreate physical objects, such as the “Cannone,” with remarkable precision and accuracy. 3D printing offers a multitude of advantages, from the ability to replicate intricate details to the freedom of experimentation without compromising the original artifact. With the “Cannone” now faithfully replicated in digital form, experts and enthusiasts alike can study, admire, and share this piece of history, transcending geographic and temporal boundaries.
A Gateway to a Digitized World:
Genoa’s foray into digitizing its heritage opens numerous possibilities for future collaborations and partnerships. By incorporating emerging technologies, the municipality can forge alliances with third-party vendors specializing in 3D printing, further enhancing access to this digitized treasure trove. This not only revitalizes the study of history but also paves the way for potential collaborations with digital artists, researchers, and other stakeholders invested in the intersection of technology and culture.
Conclusion:
Genoa’s decision to embrace the digital realm for preserving its archival heritage signifies a bold step towards reimagining the methods with which we engage with history. By integrating the “Cannone” scan and digital model into its archive, the municipality showcases the transformative power of technology in revitalizing the past and embracing the future. This pioneering move serves as an inspiration for other cultural institutions to follow suit, fostering a world where heritage and technology harmoniously coexist. Let us commemorate Genoa’s efforts and look forward to the endless possibilities that await in the digitized world of history.
